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Sebastian SmeeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Paris in Ruins explores the lives and work of artists in the context of the turbulence of 19th-century France. The following dates and figures are key to understanding this history.
The events in the book take place largely between 1870 and 1871, dubbed “the Terrible Year.” The figures have to navigate the highly factionalized political landscape. The main political factions at the time were: The Bonapartists, who supported Napoleon III and the Bonaparte line; the Orléanists, who supported a constitutional monarchy, like that of King Louis-Philippe; the Legitimists, who supported the Bourbon claim to the throne; the moderate republicans, who supported a democratic republic; and the radical republicans, who held a variety of left-wing positions that were considered more extreme than those of their moderate counterparts. Some of the key radical republicans included Louis Blanqui, a socialist, and Pierre-Joseph Proudhon, an anarchist.
Many of the artists who would later come to be known as the Impressionists supported the republican factions. For instance, painter Claude Monet was good friends with moderate republican Georges Clemenceau. The conservative factions associated the painters’ revolutionary art style with their left-wing politics, and derided them for both. Smee argues that the Impressionist style—especially as developed by Édouard Manet and Berthe Morisot—was in part a reaction to the upheaval of the Terrible Year.
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