65 pages • 2 hours read
Megan BannenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Tanrian marshal Hart Ralston walks into Birdsall & Son undertakers in the town of Eternity with a body to be processed. He finds the cheerful decorations of the lobby in poor taste, believing the somber, austere look of Cunningham’s Funeral Services to be more professional. He greets Leonard, a half-boxer dog sitting in the lobby, just before the dog’s owner, Mercy Birdsall, enters the room. The moment she sees Hart, she deflates, and they insult each other in a well-worn ritual of mutual dislike. Hart is embarrassed by the fact that he keeps bringing his business to Birdsall & Son simply because he likes Mercy’s dog.
Mercy and Hart trade insults as they discuss business; Hart has the unidentified body of an indigent person. Mercy’s family undertaking business has a license to process the bodies of indigent people and give them proper rites in exchange for a government stipend. Hart delivers the body and leaves, feeling angry and hurt. He believes that Mercy loathes him because he is a demigod.
Hart returns to West Station, where his boss and former partner, Chief Alma Maguire, waits for him. She reminds him that he needs a new partner, but he resists this idea. Ever since Alma took a desk job, Hart has been through several partners, none of whom stay long. Now, Alma invites Hart to dinner with her and her wife, Diane, but Hart declines. Their friendship has grown awkward in the wake of a fight that occurred several years ago. He prepares to return to his post in Tanria. Overcome with loneliness, he feels compelled to write a letter, even though he does not have any particular recipient in mind. He addresses it only to “a friend” and places it in a post office box handled by nimkilim—magical talking animals who serve as postal workers. Hart believes that no one will see his letter because it cannot be delivered to someone who does not exist.
As Mercy works, her father, Roy Birdsall, walks in. Roy Birdsall had a heart attack six months ago and now has doctor’s orders not to do any physical labor. For this reason, Mercy has taken on the work of preparing bodies and building the boats that are used for burial rituals. Meanwhile, Roy has taken over her former work as the office manager. Unfortunately, Roy is too forgetful to be very good at this task, and the business is suffering from his inattention.
As she works, the local nimkilim—a talking owl named Horatio—delivers the mail. Amidst the bills, Mercy finds a letter addressed to “a friend” and thinks that it must be a mistake, but Horatio insists that it is not and leaves. Mercy reads the letter, which is anonymous and speaks of loneliness. The person in the letter explains that he has few friends and have been told that he is a “dickhead” with no life (16). The writer goes on to describe a woman whom he continues to visit because “there’s a strange comfort in knowing that at least one person feels something for me, even if that feeling could be best described as hate” (17).
Suddenly, Mercy’s younger brother, Zeddie, arrives. He has just finished two years of trade school in Funeral Rites. Mercy first began managing Birdsall & Son 13 years ago, when her mother died, and ever since, the family has planned for Zeddie to inherit the business while Mercy would stay on as the manager. She has spent years keeping the business afloat while waiting for Zeddie, and now that he has graduated, the time has come for him to take over the business.
Mercy tasks Zeddie with working on the body that Hart left for her. Zeddie vomits at the sight and confesses that he flunked out of the Funeral Rites program during the first semester and has no intention of taking over the family business. He forces Mercy to promise not to tell their father or their sister Lillian about this change in his plans until he can decide what he really wants to do. Mercy is stunned and hurt because she loves the business and fears that it will not survive without Zeddie’s help.
Hart is working when Bassareus, the rabbit nimkilim who delivers mail in the magical realm of Tanria, arrives with a note from Alma, demanding Hart’s presence. He still feels unsettled at the idea of taking orders from his former partner. He and Alma had been friends for years before Alma took the desk job and promotion four years ago.
Hart responds to the summons, and to his horror, Alma assigns him an idealistic, 19-year-old apprentice named Penrose Duckers, who has taken the job to help support his mother and four siblings. Hart refuses to take Duckers on as an apprentice but changes his mind when Alma suggests that he could fulfill the same role for Duckers that Hart’s former mentor, Bill, once filled for him.
Hart and Duckers ride equimares—scaly, semi-aquatic horses—to the portal in the Mist wall that marks the border with Tanria. They enter Tanria, where they and other marshals patrol for the poachers who try to create pirated portals into Tanria. The Marshals must also fight the primary danger of Tanria: drudges. Drudges are humans who have been killed and reanimated by lost souls that infect the body through the appendix (which is the seat of the human soul). The only way to kill a drudge is to puncture the appendix and release the soul back into the air; however, no one knows where the lost souls come from in the first place, or what they do when they are released. Unknown to Duckers or anyone else, except Hart’s now-deceased mentor, Bill, Hart has the ability to see souls when they leave a body. This is his demigod gift, but he does not like to talk about it.
Mercy asks Zeddie to help their father with the finances while she works. She takes pride in caring for the deceased and always treat their bodies with respect as she cleans them and prepares them for funeral rites. Part of her duties includes speaking an incantation over them: one that is dedicated to the Three Fathers—the Salt Sea, the Warden, and Grandfather Bones. For those who do not have a key to enter the House of the Unknown God, she provides one. Those who have prepaid for funeral services receive hand-carved boats to carry their bodies for either water burial or cremation. However, unlike more profit-focused businesses such as Cunningham’s, Mercy and her father believe that even the indigent people deserve funeral boat, so they carve small ones to place with the body.
In the evening, Mercy loads her autoduck (a mechanical vehicle) and drives through town to the shipyard, where the dead of the border towns are buried. She carefully places the indigents in the pit reserved for unclaimed bodies and speaks words of respect over them, saying, “All those folks in their fancy boats […]? […] [T]hey’ll all sail the Salt Sea, like you. The Warden will welcome them into the House of the Unknown God, and there will be nothing left but what Grandfather Bones leaves behind. It’s the way we all go” (43). When she returns to her father’s house, her sister, Lilian, and brother-in-law, Danny, are waiting. Zeddie is helping Danny to cook. Privately, Lilian tells Mercy that she is pregnant and asks her to keep this fact a secret. She adds that Mercy should live her own life now that Zeddie has returned to take over the family business. Lilian regrets that Mercy has given most of her life to caring for the business and raising her two younger siblings. Mercy cannot tell Lilian about Zeddie’s decision. That night, in her apartment above Birdsall & Son, Mercy responds to the anonymous letter.
For the first two weeks of their apprenticeship, Hart and Duckers travel through the safer regions of Tanria. One night, as Hart sits by the campfire, Bassareus arrives with a letter for Hart, addressed to “a friend.” Hart is shocked to realize that his unaddressed letter found a recipient and that this person was willing to respond. Embarrassed, he wanders off to read it.
The letter expresses understanding and empathy for his loneliness and suggests that although many people are lonely, no one talks about it. The writer, whom Hart believes to be a woman, says that she is not alone but still feels lonely, as if she is the only person at a party who has not been invited to dance. Elated with his new pen pal, Hart writes another letter while Duckers teases him.
Six days later, Mercy pretends not to be saddened when she still has not received a response to her letter. Over the week, she has tried to find ways to make Zeddie fall in love with the vocation of being an undertaker. She hopes that even if he cannot work with the dead, he might enjoy boatmaking, as she does. However, he resists her efforts at every turn.
In the afternoon, Horatio arrives. The mail includes an offer from Curtis Cunningham, the owner of Cunningham Funeral Services, who wants to buy out Birdsall & Son. Roy scoffs at the offer. Though the business has been struggling, he is confident that matters will improve now that Zeddie has returned. Mercy does not tell him about Zeddie’s secret. She steps away when she finds another anonymous letter.
This letter expresses shock and delight that she has responded, and the writer promises to ask her to dance if they should ever meet in person. The writer describes himself as grumpy and taciturn but adds that he has a new coworker. He also loves books and tea but hates coffee. Mercy tries to picture the writer, wondering if he is a rancher or a lighthouse keeper in some remote location. Despite herself, she begins to picture Hart. She starts a new letter.
Hart and Duckers track down poachers, but a drudge attacks them before they can arrest the offenders. Duckers shoots the drudge with a crossbow—a standard marshal’s weapon, given that guns and other technology do not work in Tanria. Duckers’s shot strikes the drudge’s appendix. Hart checks the body and sees the lost soul leaving, although no one else knows of his unique ability. Duckers cries, then apologizes for showing such emotion, but Hart comforts him, reassuring him that he would think less of Duckers if the apprentice did not find the job upsetting. However, Hart reminds him that the person was already dead when the drudge infected the body.
Hart then talks Duckers through the process of preparing the body for burial. All who enter Tanria are required to make advance arrangements with the undertakers; as a result, there should be an identifying key on the body that will tell them where to it for burial. Hart and Duckers search the body for the key and find it. To Hart’s dismay, the key contains directions to take the body to Birdsall & Son. They wrap the body for transport and plan to head to the town of Eternity in the morning.
That night, Bassareus arrives with several letters from Duckers’s siblings and one letter for Hart. Because they do not have access to a nimkilim box in Tanria, Hart bribes Bassareus with liquor to return regularly to pick up any mail they want to send. Bassareus crudely teases Hart about his secret girlfriend. Duckers teases Hart about being “one of those hard-on-the-outside, marshmallow-on-the-inside types” (75). Hart ignores him and reads his letter.
His pen pal teases him about preferring tea over coffee. She talks about reading novels and listening to records while she soaks in the bath. She adds that she loves her profession, for although many would find it disgusting, she believes that she is providing an important service. She asks about Hart’s new coworker. To his horror, Hart pictures his pen pal as Mercy, then shakes the thought away. Happy to have a friend, he writes another letter.
Though the novel is written from the third-person perspective, the narration alternates between revealing the private thoughts of either Hart or Mercy from chapter to chapter. This common formula in romance and romantasy novels allows the author to feature different characters’ thoughts and feelings, often to establish an element of dramatic irony. This dynamic immediately comes into play in the novel, given that the protagonists have no idea who they are writing to. The first two chapters also establish the personality quirks of the two main characters, focusing on their mutual antagonism and unwitting moments of physical attraction. Thus, the author firmly establishes her version of the “enemies-to-lovers” trope, a well-worn dynamic in the romance genre, in which the two enemies (or rivals) outwardly display hostility while secretly harboring feelings of attraction that inevitably lead to a romantic relationship. In tandem with this trope, Bannen also portrays Hart and Mercy as two sides of the popular “grumpy/sunshine” dynamic, in which one love interest is gruff and taciturn while the other is friendly and cheerful. Additionally, the initial chapters also establish the novel’s parallels to the romantic comedy film titled You’ve Got Mail, in which two rival booksellers who loathe each other become anonymous internet pen pals and fall in love. Though Hart and Mercy are not rival business owners, their antagonistic relationship and anonymous letters follow the same basic premise.
With the introduction of Roy, Lillian, and Zeddie Birdsall, the author establishes several layered conflicts in the novel, focusing on Mercy’s awkward roles as the keeper of her family’s secrets and the linchpin who holds everything together. In these chapters, she finds herself largely unsupported and deeply torn between her obligation to help her siblings and her desire to keep the family business afloat. This issue is further complicated by her feelings of resentment when Zeddie threatens to reject his destined place at the head of the business. Given the many issues that Mercy faces on the home front, her willingness to kindle a long-distance friendship with an unknown pen pal highlights the very human practice of Seeking New Connections to Overcome Loneliness.
While Mercy’s primary issues come from her family, Hart must contend with struggles connected to The Deeper Meaning of Mortality—and its opposite. Due to his status as a demigod, he must face the possibility that he is immortal, and this issue contributes to his reluctance to form meaningful relationships with those whose lives are fleeting in comparison with his own. His decision to keep his boss and his new apprentice at arm’s length reflects his fear of outliving those he cares about, and his approach also indicates his inability to process grief and trauma in healthy ways. Ultimately, Hart’s refusal to face his feelings and allow himself to become emotionally vulnerable with his loved ones triggers the overwhelming sense of loneliness that leads to his letter-writing.
By reaching out to an unknown friend with no expectation of receiving a response, Hart reveals the true extent of his loneliness, and as he and Mercy write vulnerable, anonymous missives to one another, the novel’s use of dramatic irony intensifies. In the midst of their strengthening long-distance connection, their conflict-ridden in-person encounters gain a bitter yet comedic edge, and each new real-time interaction raises the underlying tension surrounding their letter-writing. Within the letters, both characters reveal more thoughtful sides to themselves. Yet while Hart’s loneliness stems from his fear of showing emotional vulnerability, Mercy’s is derived from her tendency to give so much of herself to others that she neglects her own development. Ultimately, however, the more open that Hart and Mercy become in their letters, the stronger their romantic connection grows.
As Mercy struggles to contend with her family’s conflicting desires, The Tension between Duty and Ambition becomes a prominent source of conflict. The Birdsall family has long viewed Zeddie as the ideal candidate to carry forth the family’s undertaking business and overall legacy, and they assume that he will automatically fulfill this duty. However, when Zeddie refuses to accept this path, Mercy’s life is thrown off-balance, and she struggles to reconcile her commitment to the business with her wish for her brother to pursue his own dreams.
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